19/11/2013

FILM REVIEW: DJANGO UNCHAINED






Quentin Tarantino. A name that has become synonymous with a certain type of film. Let me state openly here and now I do not worship Tarantino and everything he does; I can see why many around the world do, and I respect the iconic figure within the film industry he has now become. Yet I try to judge each of his films that I see, as I would any other film, on its own merits. I am pleased to say that in the case of Django Unchained, Tarantino has not disappointed. Yes there are the usual amounts of gore (including some genuinely chilling moments that one probably would not find in the grossest horror) and the openly up-front handling of sensitive, perhaps even controversial issues, and an intriuging cameo from the director himself. Nevertheless I feel this story brims with visceral and powerfully emotive moments. Not only that but Django Unchained also features compelling historical and social backdrop, a beautifully suited soundtrack and a surprising amount of laugh-out-loud moments.
Jamie Foxx is suited to the role of Django right from the off. In a film that wastes no time in introducing its main character, so Foxx wastes no time in giving us a freed slave who, though thrown into a world he does not always understand, adapts endearingly and who audiences immediately root for from start to finish. On the other end of the scale we have Leonardo DiCaprio, who gives us a rare, but sublimely played turn as the villain of the piece, achieving that rare thing of a character that we recognise as evil, but who also has an incredibly watchable quality.


Two people who I feel might be slightly unsung heroes of the piece are Samuel L. Jackson and Kerry Washington. We know Samuel L. Jackson is a seasoned actor with a wealth of great performances under his belt. We also know he has a habit of collaborating with Tarantino (perhaps most famously appearing in Pulp Fiction). Therefore audiences could be forgiven for perhaps taking him slightly for granted. Yet I feel this would be folly as Jackson delivers a performance that is full of the charisma unique only to him, whilst being directed into quite a villainous role, as well as providing some much needed humour. Kerry Washington plays very much the damsel in distress in Django Unchained, yet she does so with fragile and beautiful individuality. Again you would be forgiven for not recognising her performance straight away when it is surrounded by so many wonderful characters, yet for me she is a joy to watch.
However for me, and many others, the stand out star by a mile is the wonderful Christoph Waltz, who plays Dr. King Schultz, Django’s liberator, friend, mentor and fellow bounty hunter. It does not surprise me that Waltz has received oodles of recognition and accolades (including an Academy Award) for his performance. He is just the right mixture of loveable rouge, comic funny man, suave gentleman, formidable killer and gentle heart. He steals almost every scene he is in, as well as emphasising the worth and talent of whomever he is opposite. Django Unchained provides many characters one can invest in but Waltz provides Schultz as the easiest and most loveable.
So yes I understand that a Tarantino film might not be for everyone. Yet this one, his most recent and, despite being released for a fairly short amount of time, already his most successful, certainly did not put me off. For me this is Tarantino’s best work by far; giving audiences a brutal, powerful yet wonderful story, told by incredibly talented people.