30/09/2016

Simon Evans: In The Money - The Lowry Theatre, Salford










It has been a while since I've been to a stand up comedy show, and even longer since I've been to one on my own. But on Wednesday night both of those habits were re-discovered when I journeyed to the Quays Theatre, in the even bigger Lowry Theatre Centre in Salford, to see Mr Simon Evans do his particular comedy thing, with a side order of economics and financial advice thrown into the mix for good measure!

Now to be honest, when I saw the title of this show was 'In The Money', and when I saw the covering blurb, I thought perhaps understandably that it was a joke. I just thought the idea of a stand up comedian doling out anything even remotely economic, seriously or not, was just laughable, and that it was simply inserted into the advertising to make it ironically unique, and to attract interest. I had watched and enjoyed Simon Evans' particular style of aloof, middle class and possibly grumpy middle-aged man style of comedy on telly before, and I just thought I'd get more of the same live.

That is what I did get, and it was pitched and timed perfectly. The man clearly has been in this game a while and, despite his apparent middle-class southern persona, knows how to deliver comedy and garner laughs from any crowd anywhere. What I expected to get I was glad to and then some, but indeed in the second half of the show the audience were treated to Simon Evans' comedy wrapped around the financial situation of both the UK and the globe. I won't try and describe the detail, because it was such a bizarre yet brilliant mix of personal opinion, financial history, basic theory and observational comedy the likes of which I had never seen before, nor crucially had I ever expected to see before. I could not conceive even the most iconic and legendary comics channelling a stand up performance through such financial/economic channels for so long, yet here Simon Evans was making it look easy.

Indeed, the result was a truly unique night of comedy, that left me and I expect most of the audience with a genuine feeling of warmth, familiarity, and hilarity, with a few stock market tips thrown into the bargain!

29/09/2016

Doctor Who Experience, Cardiff


















Finally, after many years, the Whovian within me was unleashed in Cardiff. Though the Doctor Who Experience in Cardiff Bay was opened back in 2012, I only got round to visiting earlier this week. So, finally after a long train journey, and after navigating Cardiff itself, journeying past the BBC Roath Lock Studios and some memorable locations from Torchwood's history, my Doctor Who pilgrimage had commenced.

And by and large, as any fellow Whovians among you may expect, it was pretty epic.
There is no denying it: the sheer scale, detail and scope of the amassed Doctor Who artefacts, props, sets, costumes and virtually anything else you can think of is mind-boggling.
The history of Who is well and truly celebrated, and rightly so, but there are conscious efforts being made to also be as up to date and as modern as possible, and the resulting blend of Who past and lore with Who present and now is quite pleasing for the most part.
To see working TARDIS consoles, to see the array of sonics, to see a 50 year history of the Doctor;s dress sense...even if as fans you already know this and aren't immediately hit by anything you didn't know already; to see it all presented thus is quite something.
Yes the preliminary "adventure" before the exhibit could be a lot better. Whilst it has the added plus of a story featuring the Twelfth Doctor himself, Peter Capaldi it also has the downside of being run by a well-meaning, passionate yet ultimately patronising member of staff. Plus the fact that you end up being herded around like cattle and directed like toddlers.
However the exhibition of the Doctor Who Experience itself, and what it features and is comprised of is certainly pretty close to Whovian heaven.

No, my major issue isn't really with what is in the Doctor Who Experience; it is how it is run. I reference again the aforementioned cattle-herding - the staff were literally jamming as many people into the queues as possible, quite clearly not out of duty to the customers, but to maximise their daily footfall and hence profit. And apart from the fact that the staff can't order a taxi to save their life (seriously, when its time for you to go just do it yourself) the way in which the Experience seems to view the Doctor Who faithful reeks all too much of indifferent capitalism to me. The extortionate entry fees, the rushed nature in which they try and shepherd you round the place, the interesting but again woefully expensive souvenir shop, even the way they market themselves (online and in person)... to me as a long time fan it just seems a shame that those who run the Experience, and the staff they employ on the ground seem less interested with the Doctor Who legacy and fans, and more concerned with making a profit,

However it is Catch 22- the world knows how popular Who is, and there is nothing stopping people from across the globe flocking to Cardiff to revel in and appreciate this temple to all things time and space. And despite my qualms, I still count myself among them; I do not regret at all going and would recommend it to anyone who is interested in how great long lasting telly is made, and I would all out insist that any Whovian go. And that really is the point isn't it - getting to appreciate the adventures of the mad man in a blue box.

19/09/2016

A Quick Film Roundup

Just another quick word on a few films I have seen recently and am yet to comment on...







Slick, sassy and oh so stylish. Guy Ritchie's big brash and bold style of 21st century revamps of period classics (his Sherlock Holmes films are definitely worth a go) does deliver again.
I never really saw any of the original series that dominated the 60s and has gone on to become a cult classic. Yet I do know that this film version takes the ultimate, and essentially very clichéd but oh so good stereotypes of 60s spy glam, and pumps them up to eleven.

Like Sherlock Holmes, Ritchie instantly gives us a genre and world that is accessible, and it is one you can simply follow from start to finish. Beautifully shot, stylishly executed, and with a great cast that launches you head first into an ultra cool and incredibly crisp period action romp.
Of course the two stars of the show are Henry Cavill and Armie Hammer, who play polar opposites of the Cold War who are thrust together in a comical, yet lovable way. Cavill the suave smug American, and Hammer as the cold, rough and tough Soviet. A basic plot lifted straight out of the 1960s, but as I say it is presented in a way that just works.
The cast to me isn't perfect I admit; Alicia Vikander is cast as the female lead, and whilst her character fits in simply enough, her portrayal and performance for me (as has been the case when I've seen her in other films) is one that is just a tad too grandiose and attention-seeking. In contrast rising star Elizabeth Debicki is highly stylised but perfectly pitched as the villainess of the piece. Whilst the likes of Jared Harris and remarkably Hugh Grant add a surprise but welcome touch of old-school class, despite their roles being not much more than extended cameos.

All in all, it is a great piece of Guy Ritchie escapism. Though the film's ending sets up for a potential sequel, I am uncertain if one may occur. Regardless, if you are willing to overlook the clichéd and at times tad overreaching flaws and simply get caught up in the pulsing pace and sheer entertainment, then The Man From U.N.C.L.E is well worth a watch.



























I recently got to finally watch one of the most heralded and celebrated films of recent years. And broadly speaking, I get what everyone was on about. In short, it is very close to perfect.
The story itself is amazingly awe-inspiring - one of the greatest and in many ways one of the most important stories in human history. That of the Bletchley Park based team of code-breakers who helped break and decipher German codes, amongst them those surrounding the Enigma machine, during WWII. In this case most notably, renowned and now iconic mathematician Alan Turing, played to a tee by the also iconic Benedict Cumberbatch.

There is no denying it, Cumberbatch as Turing is the all out star of this show, and rightly so. He is perfect as Alan Turing. From his first scene to his last, every essence and element of every characterisation, quirk and quality that Cumberbatch portrays and offers the audience is simply sublime. He holds and enraptures anyone who watches this film completely and totally, and to my mind deserves every ounce of praise he received for this film, and probably a very great deal more besides indeed. He is also surrounded by an equally diverse and largely effective and enjoyable cast. Keira Knightley isn't her usual stylised and slightly obtuse self as Joan Clark, and whilst her performance occasionally drifts into the dry and the predictable, mostly she can match Cumberbatch on screen and deliver a believable and loaded chemistry. Other casting highlights for me include Charles Dance and Rory Kinnear, as well as relatively new talents like Tuppence Middleton and Allen Leech.

But really, Benedict Cumberbatch makes this film. Benedict Cumberbatch is this film. Oh the direction, execution, great script, superb soundtrack and his fellow cast are certainly interesting and enjoyable elements, and they of course often facilitate his Alan Turing glory. But you only need one real reason to watch this film, and in case you haven't quite twigged yet I will end by reiterating: to my mind the one reason to watch is Benedict Cumberbatch as Alan Turing. The end.




















Eddie the Eagle, in case you are confused by the picture; the film released earlier this year chronicling the journey of Eddie 'the Eagle' Edwards, from humble beginnings to ski-jump fame and history in the 1980s.
Essentially this struck me as a simple, light-hearted film based on the not too distant past. What then makes it wonderfully endearing is its huge sentimentality and unabashed determination to make you smile, plus a stellar cast who plug in just enough acting ability and also the ability not to take it too seriously - and the result is quite a winning formula, if you are willing to go with it.

Taron Egerton seemed an unusual choice to me to play the titular character, but overall I think he nails it. Yes occasionally his Eddie mannerisms and reactions get a tad repetitive, but there is absolutely no denying his determination and conviction in making Eddie someone you want to follow and see his story play out. Equally unusual was the addition of Hugh Jackman to my mind but once again I feel it was a brilliant move. This is a great film for showing not only Hugh Jackman's raw acting ability, but also his kick-ass lust for life and laughter - all of which he seems to throw no-holds- barred into this film, and the resulting bromance between him and Egerton cannot help but put a smile on your face.
Other very surprising but equally very welcome casting additions include the living legends that are Jim Broadbent and Christopher Walken as well as British acting institutions Tim McInnerny, Mark Benton and Keith Allen - all of whom are brilliant to watch and simply add layer upon layer of quality to this film.

Really, even if you have the remotest inkling for laughter, crowd-pleasers and films that just make you smile - this one is well worth a watch.